Tales and Sketches.
Part One. Nathaniel Hawthorne. I have
tried to reduce these tales and sketches to their essence. Nathaniel Hawthorne
is one of my favorite authors. His novels depict the darker side of the human
spirit: the unpardonable sin (The Scarlet
Letter), the family curse (The House
of the Seven Gables), the importance of sin to humanizing humanity (The Marble Faun), the inhumanity of
reformers and the rejection of women as intellectuals (The Blithedale Romance), but his tales and sketches reveal the
creativity and variety of human character. He has thought deeply about the
human experience.
Best
American Essays of the [20th] Century. Editors: Oates and Atwan
Boston, New York: Houghton Mifflin Company
2000
The essays are in chronological order, from Mark Twain's "Corn-Pone Opinions," 1901, to Saul Bellow's "Graven Images" in 1997. If you expect these essays to be pleasant, comforting and fun to read, you are mistaken. Joyce Carol Oates, one of the editors of the book, says, "My belief is that art should not be comforting; for comfort, we have mass entertainment, and one another. Art should provoke, disturb, arouse our emotions, expand our sympathies in directions we may not anticipate and may not even wish." Most of these essays provoke. Many of them I had never read, but they paint a vivid portrait of the twentieth century
2000
The essays are in chronological order, from Mark Twain's "Corn-Pone Opinions," 1901, to Saul Bellow's "Graven Images" in 1997. If you expect these essays to be pleasant, comforting and fun to read, you are mistaken. Joyce Carol Oates, one of the editors of the book, says, "My belief is that art should not be comforting; for comfort, we have mass entertainment, and one another. Art should provoke, disturb, arouse our emotions, expand our sympathies in directions we may not anticipate and may not even wish." Most of these essays provoke. Many of them I had never read, but they paint a vivid portrait of the twentieth century
Letters of Jonathan Oldstyle. Washington Irving. The years are 1802
and 1803 in America. The commentator is Jonathan Oldstyle, an older man, a
conservative, someone who does not like innovations on old habits. He sends
letters to the editor, commenting on the fashions of the young, on the
foppishness of young men, on the habits of playgoers, most of which modern
readers will recognize in the movie-plexes of today—except, for cell phones—and
on the contemporary methods of dueling
when pistols replaced swords. It’s all in good fun.
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